Jdg 3:31
After him (Ehud) was, i.e., there rose up, Shamgar the son of Anath. He smote the Philistines, who had probably invaded the land of the Israelites, six hundred men, with an ox-goad, so that he also (like Othniel and Ehud, Jdg 3:9 and Jdg 3:15) delivered Israel. הבּקר מלמד, ἁπ. λεγ., signifies, according to the Rabbins and the ancient versions, an instrument with which they trained and drove oxen; and with this the etymology agrees, as למד is used in Hos 10:11 and Jer 31:18 to denote the training of the young ox. According to Rashi, בּקר מלמד is the same as דּרבן, βούκεντρον, in 1Sa 13:21. According to Maundrell in Paulus’ Samml. der merkw. Reisen nach d. Or. i. p. 139, the country people in Palestine and Syria use when ploughing goads about eight feet long and six inches in circumference at the thick end. At the thin end they have a sharp point to drive the oxen, and at the other end a small hoe, to scrape off any dirt that may stick to the plough. Shamgar may have smitten the Philistines with some such instrument as this, just as the Edonian prince Lycurgus is described by Homer (Il. vi. 135) as putting Dionysius and the Bacchantines to flight with a βουπλήξ. Nothing is recorded about the descent of Shamgar, either here or in the Song of Deborah, in Jdg 5:6. The heroic deed recorded of him must be regarded, as O. v. Gerlach affirms, as “merely the result of a holy inspiration that suddenly burst forth within him, in which he seized upon the first weapon that came to his hand, and put to flight the enemy when scared by a terror for God, just as Samson did on a later occasion.” For he does not seem to have secured for the Israelites any permanent victory over the Philistines. Moreover, he is not called judge, nor is the period of his labours taken into account, but in Jdg 4:1 the renewed apostasy of Israel from the Lord is dated from the death of Ehud. Oppression of Israel by Jabin, and Deliverance by Deborah and Barak - Judges 4-5
This fresh oppression of the Israelites, and the glorious victory which they obtained over Sisera, Jabin’s general, through the judge Deborah and the heroic warrior Barak, are so fully described in Deborah’s triumphal song in Judg 5, that this song may be regarded as a poetical commentary upon that event. It by no means follows from this fact, however, that the historical account in Judg 4 was first of all founded upon the ode, and was merely intended to furnish an explanation of the song itself. Any such assumption is overthrown by the fact that the prose account in Judg 4, contains, as even Bertheau acknowledges, some historical details which we look for in vain in the song, and which are of great assistance in the interpretation of it. All that we can infer with any probability from the internal connection between the historical narrative and the Song of Deborah is, that the author of our book took both of them from one common source; though the few expressions and words which they contain, such as שׂמיכה in Jdg 4:18, תּצנח in Jdg 4:21, משׁכתּ in Jdg 4:6, and ויּהם in Jdg 4:15, do not throw any light upon the source from which they were derived. For, with the exception of the first, which is not met with again, the whole of them occur in other passages-the second in Jdg 1:14 and Jos 15:18, the third in the same sense in Jdg 20:37, and the fourth in Exo 14:24 and Jos 10:10. And it by no means follows, that because in the passages referred to, “yaahom is found in close association with songs or poetical passages” (Bertheau), the word itself must be borrowed from the same source as the songs, viz., from the book of Jasher (Jos 10:13). For המם is found in the same signification in 1Sa 7:10; Exo 23:27, and Deu 2:15, where we look in vain for any songs; whilst it always occurs in connection with the account of a miraculous overthrow of the foe by the omnipotent power of God.